Norina Matchabelli   " Noorjehan "  Page 1

 

meaning "light of the world"

 

 

1930s : Image rendition by Anthony Zois.
1930s : Image rendition by Anthony Zois.

 

Birth name : Eleanora Erna Cecilia Gilli

Born : March 3rd.,1880 - Florence, Italy

Died : June 15th., 1957 (aged 77) - Myrtle Beach, South Carolina, U.S.A.

Parents : Luigi Gilli, originally from Samedan, Switzerland Emma Troll from Winterthur, Switzerland.

She was the youngest of five children.

 

Her maiden name was Norina Gilli, later her stage name was Maria Carmi.

Norina's sister was Gita Bloum.

Married : 1) Karl Vollmöller -     1904 - 1916

                2) Prince Georges V. Matchabelli - 1916 - 1933 - Married in Stockholm, Sweden

 

Meher Baba with Norina Matchabelli in India. Image has been colourized.
Meher Baba with Norina Matchabelli in India. Image has been colourized.
1930s
1930s

 

At noon on June 15th, 1957, Norina Matchabelli passed away at the age of
seventy-seven, in Youpon Dunes, Myrtle Beach, South Carolina, after
prolonged heart trouble.

Her love, service and renunciation were boundless. She was wholly Baba’s and merged in Him.

Baba sent this telegram to Elizabeth Patterson and Kitty Davy on June 17th :

“Be happy my very dear Norina has come to live with me forever.

Her body was cremated and, as was Baba’s wish, the ashes were sent to India and
interred on Meherabad Hill.

Her tombstone reads: “Princess Norina who is and will ever remain Baba’s.”

 

 

Meher Baba visited her at Youpon Dunes house during his 1956 visit to Myrtle Beach.

 

 http://www.revolvy.com/main/index.php?s=Norina%20Matchabelli&uid=1575

http://www.meherbabais.org/2009/11/15/526/

http://www.avatarmeherbaba.org/erics/heroines2c.htmlhttp://www.mehercenter.org/pastandpresent/history.html

 

 

 

On the 8th May, 2016 Swiss Television RTR aired their documentary film " The Princess of Samadan".  Claudia Knapp was commissioned to put together this documentary.

She had contacted the webmaster of this web site for assistance.

 

http://www.rtr.ch/play/tv/cuntrasts/video/la-princessa-da-samedan-08-05-2016-mit-deutschen-untertiteln?id=e3219216-337d-4b2d-a7b9-00b7f38b21fe

 

 

Prince & Princess Georges Matchabelli
Prince & Princess Georges Matchabelli
Prince & Princess Georges Matchabelli
Prince & Princess Georges Matchabelli
Princess Norina Matchabelli
Princess Norina Matchabelli

 

 

Brooklyn International Theater Arts Institute

 

Kiesler's experience as a teacher began in New York City in 1926 as a stage design instructor. Upon travelling to the United States to present the new European avant-garde theatre to an American audience at the International Theatre Exposition in New York City, Kiesler formed the Brooklyn International Theater Arts Institute with associates Princess Norina Matchabelli ( aka Maria Car,i ) and Dr. Bess Mensendeck.

 

Together they built "a laboratory of the modern stage" by organizing the school into three departments - one psychological, one scientific and the other artistic.

 

Although Kiesler was affliated with the institute for only a short time, it proved to have an enormous impact on his developing pedagogy.

To teach students to control their outward expressions, Matchabelli contributed theories on psychoanalysis and auto suggestion to the institute's acting program. She believed acting to be an art of " co-relation " between the brain, soul and body modelled through an art of training where " inborn unconscious talent " can be studied and enacted " consciously ".

 

The body's ability to express affections was a common theme explored in her courses. As they worked together, Matchabelli provided Kiesler with extensive reading material in the fields of psychology and perception, in addition to texts on electricity, magnetism, cyclical theory, space-time and continuity by Walter Russell, Einstein and others.

 

Contracting and expanding universal principles of degerative and regenerative energy forces - balancing in dramatic states of comfort and discomfort - became powerful themes Kiesler would develop along the lines of similar work by Mensendieck.

 

http://www.academia.edu/9827933/Toward_a_Research_Practice_Frederick_Kieslers_Design_Correlation_Laboratory

 

Frederick Kiesler (American, born Romania, now Ukraine. 1890–1965)

 

Vivienne Giesen possibly attended this institute.

 

http://www.civita.it/content/download/1026406/7292785/file/Saggio L’avventurosa vita di Louise Nevelson di Aldo Iori.doc

http://rosamondpress.com/2012/10/23/meher-baba-and-the-rose-of-the-world/

http://en.wikipedia.org/wiki/Frederick_John_Kiesler

http://en.wikipedia.org/wiki/Mensendieck_system

 

Matchabelli Perfumes


Norina sold the Matchabelli Perfume company to Saul Ganz for $US 250,000 in 1936 ; in today's value it is $US 4,221,902.17

 

Based on an Annual Inflation: 3.69%
1931 Harmon : ( L-R ) Anita de Caro, Elizabeth Patterson, Princess Norina Matchabelli. Image trimmed, & rendered by Anthony Zois.
1931 Harmon : ( L-R ) Anita de Caro, Elizabeth Patterson, Princess Norina Matchabelli. Image trimmed, & rendered by Anthony Zois.
1931 - Croton, NY : ( L-R ) Anita de Caro, Elizabeth Patterso, Norina and Malcolm Schloss.
1931 - Croton, NY : ( L-R ) Anita de Caro, Elizabeth Patterso, Norina and Malcolm Schloss.
1932 : Elizabeth Patterson ( seated ) with her co-traveller Norina Matchabelli at a service center on their way to California. Image trimmed &  rendered by Anthony Zois. Image courtesy of Valerie McKean.
1932 : Elizabeth Patterson ( seated ) with her co-traveller Norina Matchabelli at a service center on their way to California. Image trimmed & rendered by Anthony Zois. Image courtesy of Valerie McKean.
1937 : Meher Baba's Birthday celebrations in Nasik. Norina standing in the centre, white hat.
1937 : Meher Baba's Birthday celebrations in Nasik. Norina standing in the centre, white hat.
Harvan, late 1930s - Courtesy of Lord Meher - LM 1492
Harvan, late 1930s - Courtesy of Lord Meher - LM 1492
Meher Baba with Norina (left ) & Elizabeth (right) in India.
Meher Baba with Norina (left ) & Elizabeth (right) in India.
1937 : Norina in India with "Lucky" the monkey. Photo courtesy of Charles Haynes
1937 : Norina in India with "Lucky" the monkey. Photo courtesy of Charles Haynes
MSI Collection ;Nasik,  India - Norina seated in the front row
MSI Collection ;Nasik, India - Norina seated in the front row
Late 1930s - near Ahmednagar's Tower of Silence. Norina riding on Elizabeth's Ford V8 4-door convertable' s "Dickie" seat. Baba and his women Mandali are riding on the trailer. Courtesy of MN Publ.
Late 1930s - near Ahmednagar's Tower of Silence. Norina riding on Elizabeth's Ford V8 4-door convertable' s "Dickie" seat. Baba and his women Mandali are riding on the trailer. Courtesy of MN Publ.
1940s - Surat, India : Norina is seated in the front next to Elizabeth Patterson
1940s - Surat, India : Norina is seated in the front next to Elizabeth Patterson
Norina with Meher Baba and Elizabeth Patterson, 1947-'48 ; Photo courtesy of Charles Haynes
Norina with Meher Baba and Elizabeth Patterson, 1947-'48 ; Photo courtesy of Charles Haynes

 

 

Venice Residence :  Palazzo Vendramin

 

Photo courtesy of Charles Haynes
Photo courtesy of Charles Haynes

 

Charles writes :
Elizabeth Patterson and Norina Matchabelli on a balcony of the Palazzo Vendramin in Venice, early 1930s. Norina's first husband, Karl Vollmoeller, lived in this house -- including during the time of their marriage. It's the same buidling in which Richard Wagner died in 1883.

This property was later seized by the Italian Fascist government during WW2, when Volmoeller fled to the USA and was deemed by the Axis governments as an enemy of the state.

 

http://www.palazzovendramin.com/?gclid=CJ_v1fGzp8ICFdh7vQodNQ8A0g

http://en.wikipedia.org/wiki/Ca%27_Vendramin_Calergi

 

 

Florence Residence : Villa Pozzino


 

Courtesy of Glow International
Courtesy of Glow International

 

Located : Via G. from San Giovanni, 12, Florence

 

Norina sold this property after WW2.

 

Meher Baba with Norina . Photo courtesy of Charles Haynes.
Meher Baba with Norina . Photo courtesy of Charles Haynes.

The Miracle  ( film )

 

Max Reinhardt's  1912 film
Maria Carmi, Ernst Lubitsch, Douglas Payne, Florence Winston

 

1932 ; Courtesy of the Elizabeth Chapin Patterson Perpetual Archive
1932 ; Courtesy of the Elizabeth Chapin Patterson Perpetual Archive

 

I first "saw" Norina inwardly and felt a strong inner connection with her. She was born Norina Gilli, in Florence, Italy, in 1880. Her family was in business there. When just a young girl, she developed a severe case of TB and was sent to Switzerland to recover. On a home leave — supposedly her last— she was resting in her family’s garden where Max Reinhardt, the famous stage director, Engelbert Humperdinck, the composer and Karl Vollmoeller, the author of Das Mirakel, were discussing the difficulty of finding a woman to play the mime role of the Madonna in the stage play. It was Karl, Norina told me, who looked over at her and said, "Max, there is a Madonna." Mr. Reinhardt had been looking for two years. He did not want a professional actress, but someone with an authentic spiritual aura. Norina certainly had the right classic Renaissance beauty. Later she was called "one of the six great beauties of Europe."

 

The miracle of The Miracle was that this frail untrained girl went to London, under the stage name of Maria Carmi, endured the trying climate and exhausting rehearsals to become the hit of the play when it opened in 1912*. She was not only healed of the TB, others were healed through her. The play had a long run and toured Europe. It was revived in 1924 to tour America. Norina played the role of the Madonna over 1,000. On the American tour she alternated nightly, not too amicably, with Lady Diana Manners, another international beauty. (It was after this tour she left the stage and for a short while opened an acting school in New York City, concentrating on mime.)

 

On the first run of the play, she had married the author of The Miracle, Karl Vollmoeller. She took up a career in silent Italian films, many of them comedies. I saw one in which she played a neglected bride; the husband was played by an Italian comedian from whom it was said Charlie Chaplin copied some of his famous mannerisms — the duck walk, top hat, cane. 

 

*The first performance of "The Miracle" actually took place December 23, 1911, at the Olympia Hall in London.

                                        -webmaster JK 2008 

The Awakener Magazine :

Volume 20 Number 2 - 1983

 

 
MSI Collection ; Nasik, India
MSI Collection ; Nasik, India
Awakener ; Vol.20, No.2 - Portofino 1933 - Norina seated on wall ( 3rd from left )
Awakener ; Vol.20, No.2 - Portofino 1933 - Norina seated on wall ( 3rd from left )

 

 

Lucky

 

by NORINA MATCHABELLI

 

This amusing incident shows how the Master works with other creatures in the “Divine theme” of creation.

 

UCKY IS A MONKEY ... I don’t know where he is now, but I had the good fortune to ‘mother’ him during his significant stay in the Ashram on Meherabad Hill. This incident is hard to believe unless one realizes the effect. MEHER BABA sent out a call for him, but then he described him merely as a monkey that would respond to him.

 

So, through all the four corners of India, friends and disciples were mobilized to detect such a promising creature, which, after we read the Divine Theme, we realize is part and parcel of it... like any one of us.

 

Now, monkeys after monkeys were sent for and brought up the hill. As I had to carry them down the hill again it meant that none of them was as yet the one for which BABA sent out a call. And then, one day, most unexpectedly, a tiny case arrived down at the men’s quarters, below the hill, from an unasked source, and in it was a small creature, no bigger than a baby squirrel with huge sparkling eyes and long eyelashes. The news was rushed up the hill to where BABA was at the time. His reaction was “spontaneous rejoicement.”

 

At once, the following plan was set by BABA:... the men down the hill were to squat in a circle with BABA hiding himself in their midst, and at a given moment BABA was to give the sign for the cage to he opened. Should the monkey, without hesitation, jump into BABA’S lap first, that would he the chosen one. The momentous order became fact. The monkey shot straight on to BABA’s left arm, sitting right under his heart, and was given forthwith the name of  ‘Lucky’ amidst great enthusiasm of all present. What perfect instinct!

 

By chosen one. I understand the one whose evolutionary striving would he speeded through contact with the Master.

 

On the same afternoon of the momentous arrival of the monkey, BABA, followed by all the members of the Ashram, brought him up to me where I was temporary invalided by having strained a ligament on my right foot and therefore had to stay in bed in the upstairs dormitory under a mosquito net. BABA introduced me to ‘Lucky’ as his temporary mother with orders to look after him. But how lucky were we all because BABA would spend a playful half-hour upstairs with ‘Lucky’ and us.

 

During this period BABA would take ‘Lucky’ from me, hold him, caress him, let the monkey kiss his neck, hide under his jacket or in his pocket until he became too possessive and intolerant in wanting ever more of BABA’s warmth and light, when BABA would come up to me and I would have to tear the monkey out of BABA’s grasp. Of course, the monkey rather resented it, so our part-time life under the mosquito net became rather strained.

 

‘ Lucky’ slept in a box at the head of my bed. I had to hear him snore at night and of an afternoon he insisted on sitting on the palm of my hand for his afternoon nap. At times, he would escape from under the net, then it was havoc. Tooth paste, powder boxes, fountain pens, belonging to others in the dormitory were squeezed open and thrown down. Finally, an ingenious trick helped to bring him down from a high rafter near the ceiling. By arousing the jealousy of this most lovable creature, I put my arms around my neighbors’ and administered loud, spectacular kisses which aroused his jealousy at once and down he jumped between us. Then I would catch him and put him back into his cage. These are just a few of the little difficulties encountered during BABA’s ‘doings and undoings’ with ‘Lucky’.

 

However, BABA continued coming and ‘Lucky,’ always feeling BABA’S approach from afar, would become excited and shriek and call, but would find at once his heaven on earth when back in BABA’s arms.

 

It would seem though, that this divine treatment through love could not last forever.

 

One day, ‘Lucky ’ broke all discipline and escaped through the window on to the roof enjoying an illusionary freedom and when BABA called to him, by clapping his hands, he did not obey. When he did finally come down, BABA threw a stick between himself and ‘Lucky’ which apparently put an end to the episode. To us, it seemed as though BABA’s work in close contact with ‘Lucky’ was temporarily finished.

 

BABA, some time later, sent ‘Lucky ’ off to a new home to be taken good care of where he grows and prospers, in time, from his perfect instinct to some higher sense-perception.

 

Being ‘part and parcel’ of the Divine Theme which has one goal for all creation ... GOD, ‘Lucky’ has received, through this Divine adventure, his evolutionary push, due ‘in time’ to all, from the inarticulate form to the conscious-human form, that comes in contact with the God-man. 

 

Courtesy of ;  The Awakener Magazine - Vol.1,  No.3   1954

 

 

The Awakener Magazine ; Vol.19, No.2 - Los Angeles
The Awakener Magazine ; Vol.19, No.2 - Los Angeles
Courtesy of LSLP ; Apr-June 1998, p.44
Courtesy of LSLP ; Apr-June 1998, p.44
Courtesy of LSLP ; Apr-June 1998, p.45
Courtesy of LSLP ; Apr-June 1998, p.45
Front cover
Front cover
Back cover
Back cover
MSI Collection - India
MSI Collection - India
1938- Norina centre rear holding up sticks celebrating Krishna's birthday in India.  Helen Dahm, Mani Irani & Nadine Tolstoy ( left). Mansari Desai with back to camera. Courtesy of MN Publ.
1938- Norina centre rear holding up sticks celebrating Krishna's birthday in India. Helen Dahm, Mani Irani & Nadine Tolstoy ( left). Mansari Desai with back to camera. Courtesy of MN Publ.


Baba with the group of Western women dressed in the saris of the Eastern group, India, late 1930s. From left to right: Nadine Tolstoy, Mary Backett, Delia DeLeon, Nonny Gayley, Norina Matchabelli, Rano Gayley, Margaret Craske, Ruano Bogislav, Elizabeth Patterson, Kitty Davy.
— with Meher Baba and Kitty Davy.

1938, Nasik, India.  ( L-R ) Delia De Leon , Nadine, Margaret Craske, Meher Baba & Norina Matchabelli
1938, Nasik, India. ( L-R ) Delia De Leon , Nadine, Margaret Craske, Meher Baba & Norina Matchabelli
MSI Collection ; India - Norina (R) & Kitty Davy (L)
MSI Collection ; India - Norina (R) & Kitty Davy (L)
1937 India ;
1937 India ;
1938 : Nasik.
1938 : Nasik.
MSI Collection ; India. Norina is on the far right wearing a hat.
MSI Collection ; India. Norina is on the far right wearing a hat.
Image courtesy of Norina's Gift ( book )
Image courtesy of Norina's Gift ( book )
Courtesy of Avatar Meher Baba Trust - Archives
Courtesy of Avatar Meher Baba Trust - Archives
 Image rendition by Anthony Zois.
Image rendition by Anthony Zois.
MSI Collection ; L-R : Delia, Jean, Norina & Elizabeth
MSI Collection ; L-R : Delia, Jean, Norina & Elizabeth
Cannes, France : 1930s - Norina's sister Ghita with Nonny Gayley
Cannes, France : 1930s - Norina's sister Ghita with Nonny Gayley
Mid-1930s- Zurich, Switzerland. Image trimmed, enhanced & rendered by Anthony Zois.
Mid-1930s- Zurich, Switzerland. Image trimmed, enhanced & rendered by Anthony Zois.
Norina & Elizabeth Patterson at the Myrtle Beach Centre
Norina & Elizabeth Patterson at the Myrtle Beach Centre
Image courtesy of Norina's Gift.
Image courtesy of Norina's Gift.

 

 

Gilli Family  &  Business in Florence, Italy

 

http://www.gilli.it/

Gilli's of Florence, Italy
Gilli's of Florence, Italy


 In the second half of the 19th century Gilli moved to Via degli Speziali, right in font of the famous T

 

- See more at: http://slowitaly.yourguidetoitaly.com/2013/04/top-15-historic-cafes-of-italy/#sthash.ojXfwhuI.dpuf

 

In the second half of the 19th century Gilli moved to Via degli Speziali - See more at: http://slowitaly.yourguidetoitaly.com/2013/04/top-15-historic-cafes-of-italy/#sthash.ojXfwhuI.dpuf

Note: The business is not owned presently by the Gilli family.


 

 

This Swiss family from the Rumantsch-speaking Engadine valley in the Grigione Canton sponsored the Evangelical Reformed Church in Florence (1824) and have a famous café in via Calzaiuoli, Florence, begun in 1733. Their grand tombs cluster closely together in the same way as do those of the Salvetti family, two are for babies, while only one of the two adults is accounted for in the Swiss burial records. The inscriptions are illegible.

 

http://www.florin.ms/ChapterD.html

http://www.florin.ms/Svizzera.html

 

 

Google Translations of foreign language web sites.

Norina Gilli was the daughter of from Samedan emigrated to Florence pastry chef Luigi Gilli and his wife Emma troll from Winterthur. She was the youngest of five siblings and spent her youth in Florence and Fiesole.

 

http://de.wikipedia.org/wiki/Maria_Carmi


Norina Gilli was the daughter of emigrants pastry chef Luigi Gilli from Samedan / Switzerland and Emma troll from Winterthur in Switzerland. She was the youngest of five siblings and spent her youth in Florence and Fiesole in Italy.

 

http://www.postkarten-archiv.de/maria-carmi.html

 


Norina Matchabelli

 

From Wikipedia, the free encyclopedia


Norina Matchabelli

Stage name Maria Carmi
Born Norina Gilli
3 March 1880(1880-03-03)
Florence, Italy
Died 15 June 1957 (aged 77)
Myrtle Beach, South Carolina, U.S.
Occupation Actress
Perfumer
Title Princess
Religion Meher Baba
Spouse(s) Karl Vollmöller
Prince Georges V. Matchabelli

Princess Norina Matchabelli (3 March 1880 – 15 June 1957), born Norina Gilli in Florence, Italy, was co-founder of the perfume company Prince Matchabelli, a stage and screen actress, mime, mystic, publisher, and a devoted mandali of Indian spiritual teacher Meher Baba. Her stage name was Maria Carmi.

Contents

[hide]

[edit] Acting career as Maria Carmi

Norina Gilli began her stage career at Max Reinhardt's acting school at the Deutsches Theater and belonged to his company from 1907 to 1909. Under the stage name Maria Carmi, Norina played in Italian and German theater and later appeared in more than 25 silent films. Most notably she played the Madonna in the original spectacle-pantomime play The Miracle written by Karl Vollmöller whom she married. The play was originally produced in Germany in 1911 and opened in London on 23 December 1911.[1] In 1924 it was revived at Olympia Hall in London as well as Broadway that same year after a tour of Detroit, Milwaukee and Dallas. In the New York version she alternated nightly, not too amicably, with Lady Diana Manners, another international beauty of the period.[2] In all Norina gave over 1,000 performances of the play.[3] After the second tour she left the stage and for a short while opened (with well-known set designer Frederic Kiesler) an acting school, American Laboratory Theatre, in New York City, concentrating on mime.

[edit] Princess and perfume

Norina divorced Vollmöller and in 1916 married Prince Georges V. Matchabelli, the Georgian prince and diplomat who had been ambassador to Italy, but who fled Soviet Georgia and immigrated to the United States after the 1921 Bolshevik takeover of Georgia. Norina then became known as Princess Norina Matchabelli. Together in 1924 she and her new husband, who was also an amateur chemist, co-founded the now-famous perfume company Prince Matchabelli. Norina designed the perfume bottle after the family crown and in 1926 Georges dedicated the exquisite scent "Ave Maria" to her. In 1933 she and Georges divorced. Georges died in 1935 and in 1936 Norina sold the company to Saul Ganz for $250,000.00. [4]

[edit] Meher Baba

In 1931 Matchabelli met Spiritual teacher Meher Baba and became a devotee. She introduced many notable figures of the day to Meher Baba including Gabriel Pascal, Mercedes de Acosta and Karl Vollmöller (her first husband). She also founded the periodical Meher Baba Journal in 1938.

In the early 1940's Matchabelli co-founded the Meher Spiritual Center with Elizabeth Chapin Patterson in Myrtle Beach, South Carolina, U.S.

[edit] Death

Norina Matchabelli died at Youpon Dunes in Myrtle Beach in 1957 at the age of 77. Her ashes were interred close by Meher Baba's samadhi on Meherabad Hill, near Ahmednagar, India. Her grave marker bears the inscription: Princess Norina was and will ever remain Baba's. [5]

[edit] Filmography


Maria Carmi in Das Mirakel, 1912
  • 1912: Das Mirakel
  • 1913: Eine venezianische Nacht
  • 1914: L'Accordo in minore
  • 1914: Sperduti nel buio
  • 1914: Teresa Raquin
  • 1915: Fluch der Schönheit
  • 1915: Der Hermelinmantel
  • 1915: Die rätselhafte Frau
  • 1915: Sophias letztes Gesicht
  • 1916: Das Wunder der Madonna
  • 1916: Für den Ruhm des Geliebten
  • 1916: Aphrodite
  • 1916: Homunculus, Teil I
  • 1916: Homunculus, Teil IV - Die Rache des Homunculus
  • 1916: Der Pfad der Sünde
  • 1916: Der Letzte eines alten Geschlechts
  • 1916: Die Richterin von Solvigsholm
  • 1916: Das Haus der Leidenschaften
  • 1916: Der Fluch der Sonne
  • 1917: Der Weg des Todes
  • 1917: Wenn Tote sprechen
  • 1917: Die Memoiren der Tragödin Thamar
  • 1917: Rächende Liebe
  • 1918: Das Spitzentuch der Fürstin
  • 1920: Per il passato
  • 1921: Forse che si, forse che no

[edit] Trivia

  • The Karl Vollmöller spectacle play Das Mirakel was made into three separate movie versions, two produced in 1912 and a revamped American version titled The Miracle in 1959 starring Carroll Baker, and Roger Moore of subsequent James Bond fame.
  • Coincidentally, the first film version of Das Mirakel premiered in Germany on 21 December 1912,[6] exactly 100 years to the day before the end of the Mayan calendar, which ends on 21 December 2012, according to José Argüelles.
  • In the 1940's Norina Matchabelli gave a series of well-attended public talks in Carnegie Hall, New York City in which she said she was delivering "thought-transmission" messages directly from Meher Baba. When speaking, the personal "I" switched to "I, Meher Baba." This startled some of Meher Baba's followers and they questioned Baba on it in India, but he did not appear concerned. [4] Thus Norina gained the reputation of a mystic or clairvoyant, an eccentric, and relatively occult in her thinking in comparison with other followers of Meher Baba of that time period.
  • Norina Matchabelli confided with a friend that she believed her second husband Georges Matchabelli had the unique ability to detect and chemically reproduce "astral" fragrances in his perfumes, apparently accounting for his success as a perfumer. [5]

[edit] References

  1. ^ Boosey & Hawkes
  2. ^ New York Times, January 24, 1924. [1]
  3. ^ Awakener Magazine, Volume 20 Number 2, 1983 [2]
  4. ^ New York Times, 2 June 1986 [3]
  5. ^ The Awakener Magazine, Volume 20 Number 2, 1983
  6. ^ Internet Movie Database

[edit] External links

 

 

SHIPS THAT NORINA SAILED ON


Departed  29th October 1936 from Plymouth, England and arrived in New York on 4th November 1936.

She was travelling with 6 other American who hadd also been to India.

 



Departed 25th November 1936 in Europe and arrived in Bombay, India 8th December 1936

The other Westerners she sailed with were ; Elizabeth, Malcolm & Jean Schloss &  Nonny & Rano Gayley.

 



Departed 31st July 1937 from Bombay and arrived at Marseilles, France 13th August 1937.

The other Westerners she sailed with were ; Margaret Craske, Elizabeth, Audrey Williams, Nonny  & Rano Gayley, Malcolm & Jean Schloss and Tom Sharpley.

 


 

Departed 3rd November 1937 from Maiselles, France  and arrived in Bombay 20th November 1937 along with Rano, Kitty and Elizabeth.