Meher Baba's Life & Travels
Born : 15th September, 1893 - Gossau, Switzerland
Died : 18th May, 1982 - Carona, Switzerland ( 91 y.o. )
1st Marriage (1917-1924) : Hans Roelli -
2 children 1) Annakatharina b.1918 2) Wolfgang b.1919
2nd Marriage : Walter Mertens
2 Children : 1) Peter b. 1931 2) Tobias b. 1932
Birth name : Berta Hadwig Eberie
Parents : Karl Albert Eberie & Nina Gross
SWISS
ARTIST
Hedi visited the Sahavas at the Meher Center in Myrtle Beach, SC., in 1958 when Meher Baba visited for
a short time.
Check the B/W photos of Swiss locations that Baba visited by Hedi located at the end of the "Switzerland" main page.
1938 INDIA : HEDI RENDERING HER HUSBAND'S PLANS FOR MEHER BABA'S FUTURE ASHRAM IN BYRAMANGALA, INDIA
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Hedi Mertens | |
| and Letters from India | ||
| Letter I | ||
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In the summer of 1938, Hedi Mertens was deathly ill and wanted to either die or be cured with Baba. Baba
allowed her to come to India together with Helen Dahm and Irene Billo. A grandmother took care of Hedi's 4 children and husband. In India her health very much improved under Baba
's loving care, but she had to stay for many months and only returned shortly before the beginning of World War II.
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Walter Mertens had introduced his wife Hedi to Meher Baba in 1933. In 1934 and 1937 Baba repeatedly spent several weeks in their house during his stays in Europe. But when Hedi was in India for such a long time, Walter missed her very much and once let out his frustration and anger, in his letter to her making sarcastic remarks about Baba's "harem". Hedi of course was upset and replied accurately to the offences. Each outgoing letter had to pass by Baba's hands. He also weighed hers, shook his head and returned it in disapproval. In her new letter Hedi ignored Walter's rebuke and casually described their daily life, compiled with some interesting details. Again Baba held the letter in his hand, shook his head and returned it, signifying; "Satisfy his hunger!" So Hedi wrote a third letter, this time showing her love for Walter and the children, how she looked forward to coming home soon, how she remembered them always in love and was longing for all. Baba held the letter, smiled his approval, and so this letter was sent off.
Letter II
When I visited Switzerland in 1980, Hedi Mertens was living in a little town carved out of the hills above Lugano. From the city, the bus took its time climbing up the winding road to her hillside country home. I realized, as I watched the sailboats on Lake Lugano growing smaller and smaller, that this one narrow road was the life-line from all the houses, farms and villages along the way, to the formal banking city below. Eventually, we reached Carona, a cluster of buildings standing right up against this narrow "Main Street." We were greeted by chickens and goats running wild as we got off the bus; there was a donkey, too, that no one had bothered to tie up. This spot was the bus's last stop, but the road continued steeply up through the town, splitting the one hotel in half, and forcing the few stores to open their doors right onto it. In the days to follow, as I took walks up that road through town, I found passageways leading to elaborate courtyards and gardens behind the street facade, revealing the secret life of Carona.
The buildings at the heart of town gradually opened up to small fields of wild flowers; Hedi lived just beyond one such field. Up until now, I had only known Hedi Mertens through her pictures - those beautiful photos taken in Zurich of her and her children sitting with Meher Baba. The time was 1934, during His eventful trip to Fallenfluh. Now, it was almost 50 years later as I made my way toward her little cottage. Feeling a bit shy, I stopped to pick wild flowers along the way so I'd have something to offer her (too late now to think of other gifts - the closest store for that was a long bus ride away). Hedi's house was at the end of a country lane. Flowers in hand, I knocked and entered to see Hedi seated in a hospital bed, looking very stately - her long white hair brushed off her face and falling to her shoulders. Though she had suffered a stroke and couldn't walk,
she was alert and enthusiastic about visitors. She soon put me at ease with her gracious manner.
The house was brightly lit, thanks to a large picture window which offered a magnificent view of the valley and the hills across the way. Hedi told me that Baba had visited this area, and from the charge of the atmosphere, I was not surprised.
Hedi wanted to know all about Myrtle Beach, and was interested in the shells brought (though none of them were "perfect!") Then she began to tell her stories. One tale in particular struck me:
In 1938, Hedi was invited by Meher Baba to go to India to live in the ashram with the other western women. Hers was an unusual case because she had two small children whom she had to leave behind in Switzerland. After a few months in India, Hedi received a letter from her husband, Walter, saying that the children were very ill and that even the doctors were worried. As she read the letter, she sat on the edge of her bed and wept. Norina Matchabelli happened to come in and she found Hedi in her sorry state. "Hedi, darling, whatever is the matter?" she asked. Hedi showed her the letter, and Norina - in no uncertain terms - said, "Hedi, you simply must take this to Baba. You must."
So Hedi, letter in hand, went off to find Baba. When she gave Him the news, Baba shook His head and looked up at her. He said, "Hedi, when you first came to India, I said to put your family in My hands. Don't you trust Me?"
"I trust you, Baba," Hedi insisted.
"I can see the children now;" Baba went on, "They are sitting under a large umbrella out in the garden with their grandmother. She is reading to them. And one of the children has his finger up his nose!" Everyone had a good laugh, especially Hedi who was tremendously relieved.
Soon afterwards, she received another letter from home. Walter assured her children were fine, and he enclosed a photograph for her. There were the children in the garden with their grandmother - and all the details were exactly as Baba had described.
July 1934 - Zurich, Switzerland. Seated in front of Baba wearing shorts is Anita De Caro and facing the camera is Enid Corfe.
Hedi Mertens - 1971 - The Oral History Archive Project - Irwin Luck Interview Series
- Courtesy of Los Angeles Meher Baba Center.
- Hedi's translator is Felix Schimdt
Check-out the web page for Arind Fuhrmann
Hedi Mertens Artworks
Hedi Mertens
Hedi Mertens , born Berta Hedwig Eberle (* 15 September 1893 in Gossau ; † 19 May 1982 in Carona ) [ 1 ] was a Swiss painter and representative of Concrete Art .
Life and work
Hedi Mertens was the daughter of Karl Albert Eberle and Nina Gross. She spent her childhood in Gossau in the canton of St. Gallen . In 1912, she moved to Zurich and became a student of the painter Willy Hummel at the "School of Arts and Crafts for Ladies." In Munich, Mertens attended the Debschitz School and later the courses of the painter Stanislaus Stückgold .
From 1917 to 1924, Mertens was married to Hans Roelli , a Swiss poet, songwriter , and tour operator. They had two children: Annakatharina (born 1918) and Wolfgang (born 1919).
In Schwyz, she deepened her relationships with the Zurich landscape architect Walter Mertens and his circle of friends. After her marriage, the Mertens family settled in Feldmeilen on Lake Zurich in 1930, where their children Pieter (born 1931) and Tobias (born 1932) were born. Hedi Mertens hardly painted anymore, but thanks to conversations with Leo Leuppi and Richard Paul Lohse, she became more familiar with Zurich Concrete Art and the currents of European Modernism. Her preferred conversation partner was the Expressionist painter Helen Dahm , with whom she traveled to India in 1938 and 1939, to the ashram of the holy Meher Baba . [ 2 ]
Almost ten years after her husband's death, in 1952, she settled in Ticino , first in Solduno and the following year in Carona. She took in the German painter, graphic artist, and writer Arend Fuhrmann (1918–1984), whom she and her family had met in 1926 when he was still a child. The two artists encouraged each other; in 1960, Mertens—at an advanced age—returned to painting. In just over twenty years, she made a significant contribution to Swiss Concrete Art with around 200 constructivist-concrete works.
In 2023/2024, the exhibition Hedi Mertens – Logic and Intuition in Zurich and Lugano establishes a connection to contemporary works by Max Bill , Camille Graeser , Verena Loewensberg and Richard Paul Lohse , the four main representatives of Zurich Concrete Art.
Exhibitions (selection)
- 2024: Hedi Mertens – Logic and Intuition. Museum Haus Konstruktiv , Zurich, 8 February to 5 May. [ 3 ]
- 2023: Hedi Mertens – Logic and Intuition. Museo d'arte della Svizzera italiana (MASI), Lugano, 2 April to 15 October. [ 4 ]
literature
- Francesca Benini, Arianna Quaglio (eds.): Hedi Mertens – Logic of Intuition. Scheidegger & Spiess Publishers, Zurich 2023, ISBN 978-3-03942-131-2 .
External links
References
- Hedi Mertens . In: AKL Online. General Encyclopedia of Artists Online / Artists of the World Online . De Gruyter, 2009.
- Hedi Mertens. In: Sikart , accessed on February 4, 2023. (Italian).
- Hedi Mertens. Exhibition on the museum's website, accessed on February 4, 2024.
- Exhibition website of the museum, accessed on February 4, 2024.
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